Lynn (supermodel-turned-actress Chutimon Chuengcharoensukying who is so talented it’s almost unfair) is a math prodigy with few friends. Imagine Aaron Sorkin made a heist film, only instead of a team of professionals trying to break into a bank vault – it is a group of teenagers trying to cheat on standardized tests.
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This may very well be the most violent movie of the year, with most of the action filmed in wide shots so every punch, every skull stomped and every arm shattered feel as real as to almost make you sick, yet make you love the movie for it.
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Though some viewers may be turned away because of it, Brawl in Cell Block 99 is like a musical of violence, with each punch and cracked bone meticulously choreographed for maximum impact and gruesomeness. Vince Vaughn gives maybe his best performance yet as an intimidating tough guy who isn’t afraid to stomp on a guy’s skull if the situation gets dire. Craig Zahler, this movie looks gorgeous – once you look past the insane amount of blood, the Bone Tomahawk director pains the movie with a blue hue that makes the grittiness of the story and the violence stand out. Instead of looking forward to an early release to reunite with his pregnant wife, Bradley gets dragged into the butal underground of the prison system and a world of violence, pain and crushed bones.ĭirected by S. When a drug deal goes bad, Bradley is sent to prison, where his plans of quietly serving his sentence get violently and brutally interrupted by the always menacing Udo Kier. Vince Vaughn as you’ve never seen him before, as a former boxer turned drug mule named Bradley – he hates being called Brad. You owe it to yourself to see this movie with as big an audience as you possibly can, as it will no doubt end in vocal reactions to the musical performances, and you will wish The Academy would nominate the track “PBNJ” for an Oscar just so we can see them try to censor the song for a live performance. The best part of the movie is – unsurprisingly – the soundtrack. It perfectly blends reality with dream-like sequences that feel like music videos.
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Unlike longtime rival Alain Prost, a French driver favored by the officials that controlled competition rules, Senna ran afoul of administrators and spoke out against life-endangering regulations.There are plenty of moments that may sound outlandish, but that’s part of what makes this movie so fun. While Drive hurls its hero into a fictitious snake pit of larcenous Los Angeles felons, terrific documentary Senna, which premiered in Japan last year and is currently in limited release in the United States, achieves similarly cathartic results with archival footage portraying the life of a Formula One driver who died in a 1994 car crash.ĭirector Asif Kapadia reveals Brazilian driver Ayrton Senna as someone who loved racing but had no patience for bureaucratic bullshit. Muscle car matches motivation as the formerly passive Driver finally gets fired up.
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For his day job, Gosling shows up on a movie set to do a “rollover.” Dressed as a cop, he executes the maneuver as instructed and in two seconds, the car rests on its hood.īut during Drive‘s third act, car meaningfully mirrors character development when Gosling’s character powers up to pursue a brutal thug in his mighty Malibu.
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Gosling’s loner gradually warms up as he watches cartoons with Irene’s endearing young son ( Kaden Leos) and flashes his first grin during a joy ride with mother and son through a bone-dry concrete culvert known in Los Angeles as a “river.”ĭrive comments tangentially on Hollywood’s long history of pointless car crashes in one sequence. After he meets Irene, the Driver idles through entire scenes using mainly simple gestures, facial flickers, long pauses and lingering eye contact.